Tommi Anton Parzinger was born on February 21, 1903, in Munich, Germany. He was raised in an artistic family and studied at the prestigious Kunstgewebeschule, focusing on a variety of media including ceramic, glass, metal, wood, painting, and design. Parzinger began his career as a freelance designer in Germany and Austria before emigrating to the United States in 1932 after winning a poster contest for North German Lloyd, a steamship company. He settled in New York City in 1935, where he took a job designing silverware, furniture, and accessories for Rena Rosenthal’s famous Madison Avenue shop.




Over time, furniture became Parzinger’s primary focus. In 1938, he became a designer for Charak in Boston and the following year he formed his own business, Parzinger, Inc., in New York, which was later renamed Parzinger Originals in 1946. His design philosophy was rooted in the belief that beauty and functionality should coexist harmoniously. He often employed luxurious materials such as lacquer, brass, and fine woods, and his pieces were frequently adorned with intricate hand-painted details or subtle embellishments. His furniture designs were both practical and aesthetically pleasing, featuring elegant silhouettes and a restrained yet opulent style, and characterized by clean lines, exquisite craftsmanship, and a meticulous attention to detail.




Parzinger's work played a pivotal role in shaping the mid-century modern aesthetic. His designs were favored by prominent figures in society, including Hollywood celebrities and influential business leaders (such as Marilyn Monroe, the DuPont family, and the Rockefellers), which helped cement his reputation as a leading designer of his time. Parzinger's creations were featured in prestigious department stores like Saks Fifth Avenue and high-end interior design firms, making his work accessible to a broader audience. Additionally, he continued to work in graphic design and designed furniture, lighting, and accessories for other companies, including Reed and Barton, Lightolier, Salterini Hofstatter, and Dorlyn.




Despite his significant contributions to design, Parzinger remained relatively understated in his personal life, allowing his work to speak for itself. In his later years, painting became his passion, and he primarily focused on creating abstract expressionist works. His legacy is one of elegance, innovation, and timeless beauty, and his work continues to be highly sought after by collectors and design enthusiasts today.

Terence Harold Robsjohn-Gibbings was born in England in 1905. While studying architecture at the University of London, Robsjohn-Gibbings was fascinated by the restrained elegance of Greek and Roman art, so he often spent his spare time wandering the galleries of the British Museum. In 1929, he moved to New York where he worked for famed tastemaker Charles Duveen before establishing a career as an independent interior designer in 1936. In 1938, Harper’s Bazaar stated that Robsjohn-Gibbings felt that “the modern should stem from the very ancient,” as he believed that furniture should be steeped in the symmetry and rationality of Greek design. In 1946, Robsjohn-Gibbings had the chance to make his ideals manifest when he was invited to design a line of furniture for Widdicomb Furniture Company. His furniture line was hailed as a triumph by House Beautiful, and his design for a butler’s table was featured in the landmark Good Design exhibit of 1951 at the Museum of Modern Art in New York.




In addition to working as an interior designer, Robsjohns-Gibbings was also an astute critic of design culture in America and he was noted for his humorous novels like Goodbye, Mr. Chippendale, which poked fun at the American craze for all things antique in interior design. During the 1960s, Robsjohn-Gibbings moved to Athens, the birthplace of classicism, and his apartment overlooked the Parthenon. While living in Greece, Robsjohn-Gibbings designed interiors for both Aristotle Onassis and the Niarchos family. Robsjohn-Gibbings passed away in 1976. He left behind a legacy of classically-derived forms, and his elegant works reside in the collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, among many others.