Brothers, Fernando (born 1961) and Humberto (born 1953) founded Estudio Campana in 1983 and quickly established their voice in the contemporary design world for their use of untraditional materials. Exploring ideas of transformation and reinvention, the Campanas create intriguing forms using scraps of cloth and wood, plastic tubing, wires and stuffed animals. The Campanas have worked with a number of manufacturers including Alessi, Baccarat, Edra, Lacoste, Louis Vuitton, Magis and Venini, to name a few. In 2008 the brothers won Designer of the Year in Miami, in 2013 they were listed among the top 100 most influential Brazilian personalities by Forbes magazine and in 2014 Wallpaper* listed them among the top 100 major players in design. Special editions pieces by the Campanas can be found in the permanent collections of museums around the world including the Centre Georges Pompidou, Paris, the Museum of Modern Art, New York, and Musée Les Arts Décoratifs, Paris and the Museum of Modern Art in São Paulo.

Gio Ponti excelled at painting as a child and expressed a fervent interest in the arts. Feeling that a career in architecture was preferable to that of a painter, Ponti’s parents encouraged him to pursue the former and in 1914 he enrolled at the Faculty of Architecture at the Politecnico di Milano. His studies were interrupted by war, and in 1915 he was forced to postpone his education. He served as a captain in the Pontonier Corps until 1919, earning multiple military honors. After graduating in 1921, Ponti married Giulia Vimercati, the daughter of local aristocracy and started an architecture firm. During this time, Ponti aligned himself with the neoclassical movement, Novecento and championed a revival of the arts and culture. In 1928, Ponti founded Domus, a periodical tailored to artists and designers, as well as the broader public. A shift occurred in the 1930s when Ponti took up a teaching post at his alma mater, the Politecnico di Milano. In search of new methods to express Italian modernity, Ponti distanced himself from the sentiments of Novecento and sought to reconcile art and industry. Together with the engineers, Eugenio Soncini and Antonio Fornaroli, Ponti enjoyed great success in the industrial sector, securing various commissions throughout Italy. In the 1950s, he gained international fame with the design of the Pirelli Tower in Milan and he was asked to be a part of the urban renewal of Baghdad, collaborating with top architects from around the world. His 1957 book, Amate l’architettura, is considered to be a microcosm of his work —an incredible legacy spanning art, architecture, industrial design, publishing and academia.

Ettore Sottsass is one of the most significant designers and architects of the late 20th Century, his bold and colorful, Post Modern aesthetic enlivening objects, furniture and interiors and influencing design around the world. Born in Innsbruck, Austria in 1917, Sottsass and his family moved to Turin, Italy in 1929 so he could study architecture at the Politecnico di Turino. He graduated with a degree in architecture in 1939 but he was called to serve the Italian army during World War II and he spent most of the war in a concentration camp. Upon his return in 1945, he worked for his father, Ettore Sottsass senior, an architect practicing in Turin, before relocating to Milan to curate a craft exhibition at the 1946 Triennale.




In Milan, Sottsass began writing for the art and architectural magazine, Domus. It was also here in Milan that Sottsass founded his own architectural and industrial design practice establishing a name for himself by the end of the 1950s with the design of fashionable office equipment for Olivetti. Throughout the 1960s and 1970s, Sottsass created radical and experimental designs for forward thinking companies like Poltronova. Sottsass’ exploration of a new visual language included collaborating with artists such as Alessandro Mendini and Andrea Branzi and culminated in the formation of the radical design collective, Memphis whose work was widely accepted and shown all over the world.




Notable architectural projects by Sottsass include the interiors of a chain of stores for Esprit (1985) and the Malpensa airport near Milan (2000). He received many awards and honors throughout his lifetime and his work has been the subject of numerous international publications and exhibitions including a recent retrospective at The Metropolitan Museum of Art, New York. Designs by Sottsass can be found in the permanent collections of many museums including the Museum of Modern Art, New York and the Los Angeles County Museum of Art.

Italian architect and designer Michele de Lucchi was born in Ferrara in 1951. He studied in Padua and Florence founding the radical “Gruppe Cavart” for experimental architectural design. After meeting Ettore Sottsass, he was invited to join Studio Alchimia in Milan and was also involved with the Memphis Group design movement. In 1975, de Lucchi graduated in Architecture from the Florence University then taught for two years as an academic assistant.




De Lucchi’s expansive range of design projects includes furniture, interior design, lighting, and architecture. He has designed for European companies such as Artemide, Alias, Unifor, Hermès and Alessi. From 1992 to 2002 he was Director of Design for Olivetti developing experimental projects for Philips, Siemens, Compaq Computers, and Vitra. In 1998 he founded the architectural studio aMDL, opening offices in Milan and Rome, and designed corporate work spaces for Deutcsche Bank and UniCredit. His wide range of architectural projects includes the Expo 2015 pavilions for the City of Milan and the Ministry of Internal Affairs of Georgia.




A widely respected educator, he was appointed to be Professor of the Design and Art Faculty at the University of Venice in 2001, Professor at the Design Faculty of the Politecnico of Milan in 2008, and awarded an honorary doctorate from Kingston University in 2006. His work is included in the collections of the Neues Museum Berlin, the Centre Pompidou in Paris, and the Triennale di Milano.