Greenwich House, founded in 1902 in New York City's Greenwich Village, is a nonprofit organization dedicated to social services, arts, and education. Originally established to support immigrants and underserved communities, it has evolved into a multidisciplinary cultural institution offering programs in music, mental health, senior services, and ceramics. Over the decades, Greenwich House has played a crucial role in fostering artistic expression and community engagement in lower Manhattan.
One of its most influential programs is Greenwich House Pottery, established in 1909. As one of the oldest and most respected ceramics studios in the United States, it has been a vital hub for the development of American studio ceramics. The Pottery has provided artists with access to education, studio space, and mentorship, nurturing generations of ceramicists, including renowned figures like Peter Voulkos, Betty Woodman, Paul Soldner, Robert Turner, and Rudy Autio, many of whom taught workshops there. Known for its commitment to experimentation and innovation, Greenwich House Pottery continues to be a center for both emerging and established artists, promoting the evolving discourse of ceramics as a contemporary art form.
Rudy is the consummate artist...He can paint, draw, sculpt, and play the accordion; he's a real renaissance guy. Our relationship has taught me a world of ideas. I respect Rudy as one of the finest artists and teachers, and hold him as my best friend.
Peter Voulkos
Rudy Autio 1926–2007
Born Arne Rudolph Autio on October 8, 1926, in Butte, Montana, Rudy Autio was an influential American artist whose work significantly contributed to the elevation of ceramics as a fine art form. Growing up in sparsely populated Montana, the majority of Autio’s knowledge about the art world came from books or magazines, as well as after-school art classes taught by artists hired through the Works Progress Administration. He found he was particularly good at drawing and further refined his skills in high school. Autio served in the Navy during World War II and upon returning home, studied at Montana State College (now Montana State University), where he earned a Bachelor of Fine Arts degree in 1950. He continued his education at Washington State University, obtaining a Master of Fine Arts degree in 1952.
During his undergraduate studies, Autio met three people who would have a major impact on his life: Frances Senska, who recently joined the faculty and set up a pottery shop on campus, Lela Moniger, his future wife, and Peter Voulkos, who became a close, lifelong friend. In 1952, Autio co-founded the Archie Bray Ceramics Foundation in Helena, Montana, alongside Voulkos. This institution became a pivotal force in the American ceramics movement, fostering a community of ceramic artists and serving as a creative hub for experimentation and growth. Autio's role at the Bray Foundation was instrumental in shaping the direction of contemporary ceramics in the United States.
Autio's work is characterized by its dynamic and expressive forms, often featuring vibrant, painterly surfaces adorned with figural imagery. He frequently drew inspiration from mythology, nature, and the human form, creating pieces that are both whimsical and profound. His unique style blends sculptural and painterly techniques, resulting in works that are both visually striking and deeply evocative. At a time when ceramics were often relegated to the realm of craft, Autio's work demonstrated the medium's potential for artistic expression and innovation. His pieces are notable for their complex forms, intricate surface treatments, and the seamless integration of drawing and sculpture.
Throughout his career, Autio received numerous accolades and honors, including the Tiffany Award in Crafts (1963), the American Ceramic Society Art Award (1978), and a National Endowment grant (1980), Montana Governor’s Award (1981), Fellow of the American Crafts Council, and Honorary member of the National Council of Education in the Ceramic Arts. In 1999, he received the American Craft Council's Gold Medal in 1999, recognizing his lifetime achievements and contributions to the field of ceramics. Additionally, his work has been featured in major exhibitions and is included in the permanent collections of prestigious institutions such as the Smithsonian American Art Museum and the Metropolitan Museum of Art.
Autio's influence extended beyond his artistic practice; he was also a dedicated educator. He founded the ceramics department at the University of Montana and taught there for nearly three decades, inspiring generations of students with his passion for ceramics and art. Autio relished the task of starting a program from scratch and was invigorated by the challenge, remarking: “I taught everyone who got in my way. Special students, grad students, everybody. It didn't make any difference…I taught them everything I knew, and I never seemed to run out of projects for the students to do. My mind bubbled over.” In his retirement, he traveled around the world, holding various workshops and completing various commissions. Autio was a central figure in the history of contemporary ceramics, on par with his friend and colleague Peter Voulkos, and he continues to be celebrated for his innovative approach to ceramics and his enormous impact on the field as a whole.
