Philip and Kelvin LaVerne introduced a truly revolutionary furniture aesthetic in the 1960s. With equal emphasis on material, function and artistry, the LaVerne’s pioneering vision during the vibrant period of postwar design established the duo as one of the most sought after artisans of the time. Their distinctive aesthetic to this day stands without parallel.
Philip, alongside his son, Kelvin, pioneered a patination and artistic technique that showcased equally their technical prowess and unique aesthetic vision. Patinated bronze is a material that has existed in art for centuries. The pair were inspired by the rich and vibrant colors that ancient bronzes acquired through the natural aging process. However, incorporating those acquired vivid hues in their own work presented a significant challenge. After lengthy experimentation, they were able to translate the brilliant colors attained in ancient bronze works in a matter of six short weeks in a well-kept secret process.
Located in New York, first on 57th Street and later Wooster Street, the LaVernes gained local attention, and by the 1960s word spread of the their idiosyncratic approach to furniture and their designs appeared in a number of noteworthy private collections. Tables became the most frequently ordered, and thus exist today in the greatest number. But working primarily on commission basis, even the most sought after motifs were executed in editions of less than twelve works.
Father and son duo Philip (1907-1987) and Kelvin (born 1936) Laverne are well-known for their unique approach to decorative household design. Both born in New York, Philip studied at the Art Students League of New York and Kelvin at Parsons School of Design with a focus on metal sculpting and furniture design.
From the mid-1950s through the 1980s, they collaborated on cabinets, coffee and occasional tables among many other objects creating a distinct blend of function and artistry while incorporating ancient Egyptian, Chinese, and Greek archaeological and art historical references. Their uncommon techniques included applying patina and acid etching to mixed metals such as pewter, brass, and bronze. The furniture and sculpture of Philip and Kelvin Laverne is highly sought after today for its one-of-a kind quality and demonstrated mastery of functional décor.
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