I met Patrick amidst the crowds and booths at modernism shows in cities like New York, Los Angeles, Miami, and Palm Springs. It was in these bustling hubs of culture and art that his presence was felt, even if he was not always stationed at the entrance of the fairs, stealing the display thunder with presentations that exuded a playful spirit and visually clever selections.

What set Patrick apart was not just his ability to captivate audiences with their merchandise but an astute attention to detail and a knack for uncovering under-appreciated areas of collecting. From lighting to folk art, photography to toys, Patrick was a trailblazer, always on the cutting edge of emerging trends. Despite the frustration of rarely being able to procure from them due to their impeccable selections and thorough research, my admiration for Patrick only grew.

As our professional relationship deepened and Patrick expanded to establish a shop in NYC, I had the privilege of witnessing his unwavering commitment to pushing boundaries. From his early days as a "picker" to his ventures in show business with Mondo Cane and his subsequent solo ventures in Tribeca, Patrick fearlessly navigated uncharted territory, seamlessly blending vintage with contemporary and championing emerging talent.