If asked to select one word to describe Patrick, I would resist and pick two. The first would be curiosity — a fundamental essential, to stimulate inquiry and rigour in all things, both great and small, of any era or region, type or surface. Even the most fleeting survey of this selection for sale is a celebration of innovation and of inspiration — an unerring eye for the unusually exceptional, or perhaps the exceptionally unusual. The chances are, that these are indeed discoveries that you have not yet realised that you needed to make.
Mentor, would be my second word. If artefacts and objects articulate visual, cultural and historic language, then the fluency of skillful mentorship — to guide, nurture, describe and explain — releases the eloquence of murmuring histories. In this capacity Patrick is that most earnest and sincere of excellent narrators. If ever I had friends, clients or colleagues visiting New York looking for unusual inspiration, there was always the certainty that Patrick’s venues would offer them a glimpse of the hitherto unseen or the unusually seductive, always with the reassurance of the most fascinating story waiting to be told.
Mentorship and curiosity, when balanced in equal measure, reveal the precious alchemy of a curator. And it is the duty of the mature curator to discern and detect, to cultivate change, and from there to pioneer, and to share. Innovation is never static, and the Present is already the Future. Fresh dialogs evolve, energies to be nurtured, opportunities to be guided. Renewed and re-orientated, Patrick’s decision to exchange his bricks-and-mortar Tribeca gallery for a new interactive Brooklyn space aligns him towards a new inquisitive future as supportive benefactor, interlocutor and mentor to a fresh yield of talented creators — those established and those rising — and the quest for discovery rejuvenates.
— Simon Andrews
andrewsartadvisory.com
Eero Saarinen 1910–1961
Born in 1910, Eero Saarinen was surrounded by design his entire life; his father, Eliel Saarinen was an architect and director of the Cranbrook Academy of art and his mother, Loja Saarinen, was an acclaimed textile artist. In 1929, Saarinen traveled to Paris to study sculpture at the Académie de la Grande Chaumière before enrolling in the Yale architecture program. He returned to Cranbrook in 1934 where he met fellow designer and friend, Charles Eames. In 1947, Saarinen won a competition to design a monument for Thomas Jefferson in St. Louis. His Gateway Arch would mark one of the many triumphs of his short but incredibly productive career.
Auction Results Eero Saarinen
