If asked to select one word to describe Patrick, I would resist and pick two. The first would be curiosity — a fundamental essential, to stimulate inquiry and rigour in all things, both great and small, of any era or region, type or surface. Even the most fleeting survey of this selection for sale is a celebration of innovation and of inspiration — an unerring eye for the unusually exceptional, or perhaps the exceptionally unusual. The chances are, that these are indeed discoveries that you have not yet realised that you needed to make.
Mentor, would be my second word. If artefacts and objects articulate visual, cultural and historic language, then the fluency of skillful mentorship — to guide, nurture, describe and explain — releases the eloquence of murmuring histories. In this capacity Patrick is that most earnest and sincere of excellent narrators. If ever I had friends, clients or colleagues visiting New York looking for unusual inspiration, there was always the certainty that Patrick’s venues would offer them a glimpse of the hitherto unseen or the unusually seductive, always with the reassurance of the most fascinating story waiting to be told.
Mentorship and curiosity, when balanced in equal measure, reveal the precious alchemy of a curator. And it is the duty of the mature curator to discern and detect, to cultivate change, and from there to pioneer, and to share. Innovation is never static, and the Present is already the Future. Fresh dialogs evolve, energies to be nurtured, opportunities to be guided. Renewed and re-orientated, Patrick’s decision to exchange his bricks-and-mortar Tribeca gallery for a new interactive Brooklyn space aligns him towards a new inquisitive future as supportive benefactor, interlocutor and mentor to a fresh yield of talented creators — those established and those rising — and the quest for discovery rejuvenates.
— Simon Andrews
andrewsartadvisory.com
Gino Sarfatti 1912–1984
Born in 1912, Gino Sarfatti revolutionized the field of Italian lighting design. As a teenager, Sarfatti switched his field of study from classics to aeronautical engineering, later incorporating the scientific precision he learned from his engineering background into crafting his light fixtures. He opened his lighting atelier Lumen in 1935, which quickly gained popularity as a new voice in the field of lighting. Lumen advertised in the influential Italian design magazine Domus, and Sarfatti opened a showroom in the Via Verdi. However, in 1938, Sarfatti left Lumen and went on to found the firm Arteluce along with his wife Jolanda Marazza Sarfatti and architects Maurizio Bolchini and Franco Buzzi.
In 1940, Arteluce participated in the VII Triennale in Milan. Due to the bombings during World War II, Sarfatti moved the production of Arteluce from Milan to Albavilla. However, soon after moving production, he was forced into exile in Switzerland after facing persecution for his Jewish heritage. Following the end of WWII he gained recognition for his extraordinary work, returning to Italy and continuing his leadership of Arteluce. His lighting was showcased in the groundbreaking exhibit Italy at Work at the Art Institute of Chicago in 1950, which featured the work of 150 Italian designers and craftsmen.
Auction Results Gino Sarfatti
