If asked to select one word to describe Patrick, I would resist and pick two. The first would be curiosity — a fundamental essential, to stimulate inquiry and rigour in all things, both great and small, of any era or region, type or surface. Even the most fleeting survey of this selection for sale is a celebration of innovation and of inspiration — an unerring eye for the unusually exceptional, or perhaps the exceptionally unusual. The chances are, that these are indeed discoveries that you have not yet realised that you needed to make.
Mentor, would be my second word. If artefacts and objects articulate visual, cultural and historic language, then the fluency of skillful mentorship — to guide, nurture, describe and explain — releases the eloquence of murmuring histories. In this capacity Patrick is that most earnest and sincere of excellent narrators. If ever I had friends, clients or colleagues visiting New York looking for unusual inspiration, there was always the certainty that Patrick’s venues would offer them a glimpse of the hitherto unseen or the unusually seductive, always with the reassurance of the most fascinating story waiting to be told.
Mentorship and curiosity, when balanced in equal measure, reveal the precious alchemy of a curator. And it is the duty of the mature curator to discern and detect, to cultivate change, and from there to pioneer, and to share. Innovation is never static, and the Present is already the Future. Fresh dialogs evolve, energies to be nurtured, opportunities to be guided. Renewed and re-orientated, Patrick’s decision to exchange his bricks-and-mortar Tribeca gallery for a new interactive Brooklyn space aligns him towards a new inquisitive future as supportive benefactor, interlocutor and mentor to a fresh yield of talented creators — those established and those rising — and the quest for discovery rejuvenates.
— Simon Andrews
andrewsartadvisory.com
Florence Knoll 1917–2019
Florence Knoll (née Florence Schust) was born in Michigan in 1917. As a child, she was enrolled in the Kingswood School, a division of the Cranbrook School of Art. Eliel and Loja Saarinen, parents of architect Eero Saarinen, quickly noted her talents, and she became a close friend of the family often joining them on vacations to their summer home in Finland. In 1935, Knoll studied urban planning at Columbia University and continued her degree at the Architectural Association of London from 1938 to 1939. World War II brought Knoll back to the United States where she finished her degree in architecture at the Illinois Institute of Technology in Chicago studying under Mies van der Rohe. After graduating, Knoll moved to Massachusetts to work in the office of Walter Gropius and Marcel Breuer.
Auction Results Florence Knoll
