Jean E. Puiforcat has long been recognized as one of France’s most important silversmiths. First and foremost an artist, Puiforcat elevated the craft of silversmithing to a modern art form. Inspired by his belief in the natural order of the universe and the mathematics of form, Puiforcat works are characterized by their Art Deco-style, architectural lines and purity of material.
World War II forced Puiforcat to leave France, but it was no coincidence that he chose to relocate to Mexico to build a new home. Aware of the deep silversmithing traditions of Mexico and the wealth of available material, it was the natural choice, though instead of Taxco, the center of the silversmithing community, he established his workshop in Mexico City. Here Puiforcat found further inspiration in Pre-Colombian motifs and the region’s landscape. In 1942, Manuel Toussaint, a Mexican colonial scholar, wrote of the gift Puiforcat brought to Mexico with his ability to lift the craft to a more artistic level.
For the next few years, Puiforcat produced exceptional works that were largely sold through high-end American retailers. Puiforcat returned to France in 1945 but died shortly after at the age of 48. Despite his short life, he made a lasting impact on the art of silversmithing, creative thought, and design. From the mid-20th to the present, Puiforcat has continued to make elegant silver that embodies the best of Art Deco while carrying forward the visual ethos of this treasured era. In 1993, Groupe Hermès acquired Puiforcat, forming a venerable yet innovative partnership committed to making timeless designs.
The land of authentic silversmiths—Mexico—should offer us superb works, for which the world will be grateful.
Jean E. Puiforcat
Adam Blackman and David Cruz officially embarked on their venture, Blackman Cruz, in 1993; in the three decades since, they have created—and helped create—countless worlds, purveying objects of beauty and curiosity (dare we say magic?) culled from around the world. Operating from Los Angeles, the pair first showed their wares in a West Hollywood showroom on La Cienega and, in 2007, moved into their current home on Highland Avenue—an expansive space that was formerly the infamous gay nightclub Probe, known not least for basically playing itself in American Gigolo.
If discussing patina and provenance over a once booze-soaked bar seems incongruous, one might argue that such incongruity is characteristic of both Los Angeles and Blackman Cruz. At the center of the “dream factory,” worlds collide—and collision is perhaps what Blackman and Cruz do best. The pair’s “odd couple partnership,” as the New York Times put it, is the force behind an aesthetic sense that is delightfully difficult to pigeonhole. As the title of their recently released book Beauty & Mischief: The Design Alchemy of Blackman Cruz suggests, Blackman Cruz’s eye together encompasses the serious, sexy, and silly, and the myriad permutations therein. You might find, as one does in this auction, a stunning 1902 Carlo Bugatti chair (itself a treatise on material alchemy) next to an antique drum-playing rabbit automaton (restored to working order by an aerospace engineer), or a painstakingly beaded papoose from Borneo alongside an iconic mid-century modern sofa by Poul Kjærjolm, or a softly glowing snake lamp by Frank Gehry. Or impossibly elegant Gazelle lounges by Dan Johnson, or...Or. Or. Or.
Significantly and much to their credit, Blackman and Cruz have not shied away from certain elements of the archetypal curiosity shop. “We’re merchants,” their website declares. “We sell life enhancers.” In leaning into the longstanding lineage of rarity-purveyors, they show that they recognize the preciousness of curiosity itself—and the adjacent elements of surprise and fantasy. They let themselves be led by the search, and the excitement of the find is gleefully passed to their audience. That said, there are certain figures who serve as touchstones for the pair, designers whose sensibilities mesh well with Blackman Cruz’s vision: Bugatti is among them, as well as Pepe Mendoza and Arturo Pani, both from Mexico City and featured amply in the collection offered here. And then there is the Blackman Cruz Workshop, founded in 1998 by Blackman, Cruz, and creative director Lika Moore, offering limited edition lighting and furniture; among the works selected here are two metalworked lamps by Moore and the uncannily “dripping” Leary marble table.
Design is typically a studied thing, where precision takes precedence. Blackman Cruz breathes a little refreshing chaos into the discipline, finding a comfortable perch amidst a multiplicity of exciting tensions: ancient and contemporary, scientific and spiritual, restrained and resplendent. In our era of ubiquitous quantification and optimization, Blackman Cruz extends an invitation to not be afraid of what draws us in—even if it can’t be named or measured. In other words, to revel in the possibilities of enchantment.
Auction Results Jean E. Puiforcat
