Empty space is as alive as full space. Look at it!
Miguel Berrocal
Adam Blackman and David Cruz officially embarked on their venture, Blackman Cruz, in 1993; in the three decades since, they have created—and helped create—countless worlds, purveying objects of beauty and curiosity (dare we say magic?) culled from around the world. Operating from Los Angeles, the pair first showed their wares in a West Hollywood showroom on La Cienega and, in 2007, moved into their current home on Highland Avenue—an expansive space that was formerly the infamous gay nightclub Probe, known not least for basically playing itself in American Gigolo.
If discussing patina and provenance over a once booze-soaked bar seems incongruous, one might argue that such incongruity is characteristic of both Los Angeles and Blackman Cruz. At the center of the “dream factory,” worlds collide—and collision is perhaps what Blackman and Cruz do best. The pair’s “odd couple partnership,” as the New York Times put it, is the force behind an aesthetic sense that is delightfully difficult to pigeonhole. As the title of their recently released book Beauty & Mischief: The Design Alchemy of Blackman Cruz suggests, Blackman Cruz’s eye together encompasses the serious, sexy, and silly, and the myriad permutations therein. You might find, as one does in this auction, a stunning 1902 Carlo Bugatti chair (itself a treatise on material alchemy) next to an antique drum-playing rabbit automaton (restored to working order by an aerospace engineer), or a painstakingly beaded papoose from Borneo alongside an iconic mid-century modern sofa by Poul Kjærjolm, or a softly glowing snake lamp by Frank Gehry. Or impossibly elegant Gazelle lounges by Dan Johnson, or...Or. Or. Or.
Significantly and much to their credit, Blackman and Cruz have not shied away from certain elements of the archetypal curiosity shop. “We’re merchants,” their website declares. “We sell life enhancers.” In leaning into the longstanding lineage of rarity-purveyors, they show that they recognize the preciousness of curiosity itself—and the adjacent elements of surprise and fantasy. They let themselves be led by the search, and the excitement of the find is gleefully passed to their audience. That said, there are certain figures who serve as touchstones for the pair, designers whose sensibilities mesh well with Blackman Cruz’s vision: Bugatti is among them, as well as Pepe Mendoza and Arturo Pani, both from Mexico City and featured amply in the collection offered here. And then there is the Blackman Cruz Workshop, founded in 1998 by Blackman, Cruz, and creative director Lika Moore, offering limited edition lighting and furniture; among the works selected here are two metalworked lamps by Moore and the uncannily “dripping” Leary marble table.
Design is typically a studied thing, where precision takes precedence. Blackman Cruz breathes a little refreshing chaos into the discipline, finding a comfortable perch amidst a multiplicity of exciting tensions: ancient and contemporary, scientific and spiritual, restrained and resplendent. In our era of ubiquitous quantification and optimization, Blackman Cruz extends an invitation to not be afraid of what draws us in—even if it can’t be named or measured. In other words, to revel in the possibilities of enchantment.
Miguel Berrocal 1933–2006
Born in Villanueva de Algaidas, Málaga in 1933, Spanish sculptor Miguel Ortiz Berrocal is best known for his puzzle-like sculptures in metal and intricate jewelry designs. At a young age, Berrocal showed keen artistic talent and a passion for research. He studied in Madrid, where he attended various art schools and developed a fascination with analytic geometry, which later influenced his sculptural style.
Berrocal moved to Italy in 1967 and his career took off there, ultimately maintaining residence until 2004. He collaborated with sculptural foundries in Verona and Negrar to produce his artwork. His sculptures, ranging from monumental outdoor installations to small wearable ornaments, gained recognition and were exhibited extensively across Europe, North America, South America, and Japan. In 2004, Berrocal returned to his birthplace in Spain and remained artistically active until his sudden death in 2006.
Throughout his career, Berrocal explored new techniques and materials, incorporating miniature artworks and hidden jewelry within his puzzle sculptures. He gained acclaim for his ability to disassemble and reconfigure his sculptures into different arrangements. Verona and its foundries became important centers for contemporary art in Europe, attracting renowned artists such as Joan Miró, Salvador Dalí, and René Magritte, thanks to Berrocal's influence.
Berrocal's legacy is preserved and promoted by the Fundación Escultor Berrocal (Berrocal Sculpture Foundation), which was founded by his heirs in 2007 and is based in his hometown of Villanueva de Algaidas, Málaga, Spain. Visitors may experience the "Berrocal Creative Universe," which is comprised of a museum, the Center of Interpretation of Water and Contemporary Art, Berrocal's final studio-workshop, and the house-museum. Berrocal's artistic achievements, from his early exhibitions in Madrid to his international success, continue to inspire and captivate art enthusiasts worldwide.
Auction Results Miguel Berrocal
