361
361
Annie Leibovitz Monographs, six
Annie Leibovitz Monographs, six
estimate: $200–300
result: $2,125
provenance: Collection of Mark McDonald
Annie Leibovitz: Ritratti 1980-1995 James Danziger, Photology, Milano, 1996. 87 pages, Hardcover.
Annie Leibovitz: Olympic Portraits Annie Leibovitz, Bullfinch Press Book / Little Brown and Company, Boston / Toronto, 1996. 1986 pages, Hardcover. Signed and inscribed by the artist 'for Mark Annie Liebovitz 11.06'
American Music Annie Leibovitz, Random House, New York, 2003. 263 pages, Hardcover. Signed and inscribed by the artist 'for Mark Annie Liebovitz 11.06'
A Photographer's Life, 1990-2005 Annie Leibovitz, Random House, New York, 2006. 472 pages, Hardcover with dustjacket. Signed and inscribed by the artist 'for Mark Annie Liebovitz 11.06'
Women Annie Leibovitz and Susan Sontag, Random House, New York, 1999. 247 pages, Hardcover with dustjacket. Signed and inscribed by the artist 'for Mark Annie Liebovitz 11.06'
Photographs 1970-1990 Annie Leibovitz, Harper Collins Publishers, New York, 1991. 232 pages, Hardcover with dustjacket. Signed and inscribed by the artist 'for Mark Annie Liebovitz 11.06'
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.