359
359
Scandinavian Metalware Surveys, seventeen
Scandinavian Metalware Surveys, seventeen
estimate: $300–500
result: $715
provenance: Collection of Mark McDonald
Johan Rohde Solv Af Sigurd Schultz, I Kommission Hos Fischers Forlag, Copenhagen, 1942. 55 pages, Softcover.
Georg Jensen. Sterling-Denmark. 65 pages, Softcover.
Archibald Knox: An Exhibition of Silver and Pewter Designed 1899-1912 for Liberty & Co., Historical Design Inc., New York, 1995. Softcover.
Erik Fleming- Atelier Borgila Jan von Gerber, Nationalmusei Utstallningskatalog, Stockholm, 1994. 78 pages, Hardcover.
Gerald Benney: Goldsmith and Silversmith, Beenham House, Berkshire, 1988. 59 pages, Softcover.
Georg Jensen: Silver and Gold Jewelry Collections, Georg Jensen, New York. 6 pages, Softcover.
Georg Jensen: Silversmithy. 77 Artists 75 Years Lloyd E. Herman and Erik Lassen, Smithsonian Institution Press, Washington, D.C., 1980. 127 pages, Hardcover with dustjacket.
The Arts & Crafts Metalwork of Janet Payne Bowles Barry Shifmn, Indiana University Press, Bloomington, 1993. 135 pages, Softcover.
Jan Eisenloeffel 1876-1957 Annelis Krekel-Aalberse and Emke Raasen- Kruimel, Waanders Drukkers, Zwolle, 1996. 312 pages, Hardcover with dustjacket.
Spratling Silver: Centennial Edition Sandraline Cederall and Hal Riney, Chronicle Books, San Francisco, 2000. 176 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.