352
352
Swedish Glass Surveys, fifteen
Swedish Glass Surveys, fifteen
estimate: $200–300
result: $1,063
provenance: Collection of Mark McDonald
Swedish Glass. The Collector's Little Book Library Elisa Steenberg, M. Barrows and Company, Inc., New York, 1950. 168 pages, Hardcover with dustjacket.
Edvin Ohrstrom: Skulptor i glas Lars Thors, Marta Holkers and Folke Holmer, Carlsson Bokforlag, Stockholm, 1991. 156 pages, Hardcover.
Edward Hald: Målare konstindustripionjär Per Bjurstrom and Dag Widman, Nationalmuseum and Waldemarsudde, 1983. 151 pages, Hardcover.
Bo Knutsson: Art & Antiques, Bo Knutsson, Vanersborg, Sweden, 2002. 60 pages, Softcover.
Dansk Glas 1925-1985 Erik Lassen and Mogens Schluter, Nyt Nordisk Forlag Arnold Busck, Copenhagen, 1987. 71 plus plates pages, Hardcover with dustjacket.
Orrefors: A Swedish Glassplant Ann Marie Herlitz-Gezelius, Atlantis Publishers, Stockholm, 1984. 143 pages, Hardcover.
The Kosta Boda Book of Glass, Hall, Cederquist & Sundberg, New York, 1986. 304 pages, Hardcover.
Lyricism of Modern Design: Swedish Glass 1900-1970 Lars Thor and Goran Bernhoff, et.al, Hokkaido Museum of Modern Art, Sapporo, 1992. 239 pages, Softcover.
Svenskt Glas Jan Brunius, Helena Dahlback Lutteman, et.a, Wahlstrom & Widstrand, Stockholm, 1991. 444 pages, Hardcover with dustjacket.
Glas in Schweden 1915-1960 Helmut Ricke and Ulrich Gronert, Prestel - Verlag, Munich, 1986. 309 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.