347
347
Modern Glass Surveys, eighteen
Modern Glass Surveys, eighteen
estimate: $300–500
result: $1,235
provenance: Collection of Mark McDonald
Italian Glass Murano Milan 1930-1970 Helmut Ricke, Eva Schmitt, Prestel, Munich, 1997. B & W/Color, 331 pages, Hardcover with dustjacket.
Anzolo Fuga Rosa Barovier Mentasti, Acanthus Press, NY, 2005. 213 pages, Hardcover with dustjacket.
Dale Chihuly, Musee des Arts, Paris, 1987. 39 pages, Softcover.
Das Glas des Jugendstils Helga Hilschenz, Prestel, Munchen. 535 pages, Hardcover with dustjacket.
Barovier Glassmakers In Murano 1866-1972 Marina Barovier, Arsenale Editrice, Venice, 1993. 212 pages, Hardcover with dustjacket.
Murano Glass From The Olnick Spanu Collection, Millennium Pictures, 2001. Color, 310 pages, Hardcover.
Glass 1959, Carnegie Institute, Pittsburgh, 1959. 330 pages, Softcover.
Czech Glass Now Contemporary Sculpture 1970-2004, 2005. Softcover.
Oiva Toibka Glass, The Finnish Glass Museum, Finland, 1988. Color, Softcover.
HIggins, Mid Century Decorative Arts, NY, 1986. Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.