346
346
Italian Glass Surveys, thirteen
Italian Glass Surveys, thirteen
estimate: $600–800
result: $1,170
provenance: Collection of Mark McDonald
Vetri veneziani del '900: La Collezione della Cassa di Risparmio de Venezia Biennali 1930-1970 Rosa Barovier Mentasti, Marsilio Editori, Venezia, 1994. 169 pages, Softcover.
Gli Artisti di Venini: Per una Storia del Vetro D'Arte Veneziano Alessandro Bettagno, et al., Electa, Milano, 1996. 234 pages, Softcover.
Il Vetro di Murano Alle Biennali 1895-1972 Marina Barovier, Rosa Barovier Mentasti and Attilia Dorigato, Leonardo Arte, Milano, 1995. 259 pages, Softcover.
Italian Glass: Murano, Milan 1930-1970 Helmut Ricke and Eva Schmitt, Prestel-Verlag, Munich, 1997. 352 pages, Hardcover with dustjacket.
Glassware Glaswaren Verreries Vetri di Murano Giovanni Mariacher, Carlo Bestetti Edizioni D'Arte, Milano, 1967. 231 pages, Hardcover with dustjacket.
Salviati: il suo vetro ei suoi uomini 1859-1987 Giovanni Sarpellon, The Associazione : Stamperia di Venezia, Milano, 1989. 39 plus plates pages, Softcover.
Ercole Barovier 1889-1974: Vetraio Muranese Attilia Dorigato, Marsilio Editori, Venezia, 1989. 151 pages, Softcover.
Art Glass by Archimede Seguso Umberto Franzoi, Arsenale Editrice, 1991. 166 pages, Softcover.
I vetri di Archimede Seguso dal 1950 al 1959 Rosa Barovier Mentasti, Umberto Allemandi & C, Torino, 1995. 95 pages, Softcover.
Venetian Glass: The Nancy Olnick and Giorgio Spanu Collection David Revere McFadden, Mario Barovier, Suzanne K Frantz, Edizioni Charta, Milano, 2000. 249 pages, Hardcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.