343
343
Czech and Bohemian Glass Surveys, fifteen
Czech and Bohemian Glass Surveys, fifteen
estimate: $200–300
result: $625
provenance: Collection of Mark McDonald
Mosers 1857 1997, Moser, 1997. 352 pages, Hardcover with dustjacket.
S. Libensky A 40 Year Collaboration J. Brychtova, Prestel, 1994. B & W/Color, 224 pages, Hardcover with dustjacket.
Stanislav Libensky Jaroslava Brychtova, Corning Museum of Glass, NY, 1994. Color, 224 pages, Softcover.
Elias Sklo Bohumil Elias, 1994. Hardcover with dustjacket.
Glass Czechoslovakia and Italy, Museum of Contemporary Crafts, NY, 2002. Softcover.
Bohemian Glass Sylva Petrova, Jean-Luc Olivie, Flammarion, Paris, 1990. Color, 238 pages, Hardcover with dustjacket.
Bohemian Glass 1400-1989 Sylva Petrova, Jean-Luc Olivie, Abrams, NY, 1990. B & W/Color, 240 pages, Hardcover with dustjacket.
Bohemian Engraved Glass Paul Hamlyn, Artia, Prague, 1968. B & W, Hardcover with dustjacket.
Czech Glass 1945 - 1980 Design in an Age of Adversity Helmut Ricke, Museum Kunst Palast Alnoldsche, 2005. 448 pages, Hardcover with dustjacket.
The Legend of Bohemian Glass Antonin Langhamer, Tigris, Czech, 2003. Color, 294 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.