339
339
Scandinavian Furniture and Design Surveys, thirty-seven
Scandinavian Furniture and Design Surveys, thirty-seven
estimate: $500–700
result: $2,340
provenance: Collection of Mark McDonald
Dansk Kunst Hand Vaerker Leksikon A-K, Forlaget Rhodos, 1979. B & W, Hardcover. 2 book set in a hard sleeve
Dansk Kunsthandvaerker Leksikon, Redaktionen af bind sluttede, 1978. 683 pages. Continuation of book 1. Set of 2 in one hard sleeve.
Made in Denmark Arne Karlsen, Anker Tiedemann, Gjellerup, 1960. 175 pages, Hardcover with dustjacket.
Modern Scandinavian Furniture Ulf Hard af Segerstad, The Bedminster Press, Sweden, 1963. B & W/Color, 130 pages, Hardcover with dustjacket.
The Lunning Prize, Nationalmuseum, Stockholm, 1986. B & W/Color, 214 pages, Hardcover with dustjacket.
Finnish Modern Design Marianne Aav, Nina Stritzler-Levine, BGC Yale, New York, 1998. B & W/Color, 409 pages, Hardcover with dustjacket.
Lunning Collection of Scandinavian Design Frederik Lunning, Georg Jensen, New York. B & W. Catalog
Contemporary Swedish Design Nordisk Rotogravyr, Sweden, 1951. B & W/Color, 180 pages, Hardcover with dustjacket.
MobelDesign Danske Klassikere 1925 - 1975 Maria Lassen, Sangill Grafisk Produktion, Denmark. Softcover with dustjacket.
MobelDesign PH Lamper 1926 - 1962 Dansk MobelKunst, Dansk, Denmark, 2004. Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.