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Scandinavian Furniture and Design Monographs, twenty-seven
Scandinavian Furniture and Design Monographs, twenty-seven
estimate: $500–700
result: $4,160
provenance: Collection of Mark McDonald
Saarinen in Finland Markku Komonen, Uddenmaan Kirjapaino, Helsinski, 1986. 120 pages, Softcover.
Kage Ulf Hard af Segerstad, Utsallning Gummesons Konstgalleri, Gustavsberg, 1989. 34 pages, Softcover.
Verner Panton Niels-Jorgen Kaiser, etal, Bording Grafik, Copenhagen, 1986. 72 pages, Softcover.
Finn Juhl: 100 Years, International Auction 831, Bruun Rasmussen, Copenhagen, 2012. 73 pages, Softcover.
Finn Juhl: Memorial Exhibition, Tada Architecural Studio, Osaka, 1990. 159 pages, Softcover.
Arne Jacobsen: Arkitekt & Designer Poul Erik Tojner and Kjeld Vindum, Dansk Design Centre, Copenhagen, 1987. 140 pages, Softcover.
Bruno Mathsson Ingrid Bohn-Fullander, Bokforlaget Signum, Lund, 1992. 319 pages, Hardcover with dustjacket.
Alvar Aalto: Furniture and Glass J. Stewart Johnson, The Museum of Modern Art, New York, 1984. 24 pages, Softcover.
Hans J. Wegner Jens Bernsen, Dansk Design Centre, Copehagen, 2001. 120 pages, Hardcover with dustjacket.
Mobeldeisng: PH Lamper 1926-1962 Steen Bo Andersen, Dansk Mobelkunst, Copenhagen, 2004. 47 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.