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Prouvé, Perriand and Mouille Monographs, nine
Prouvé, Perriand and Mouille Monographs, nine
estimate: $700–900
result: $5,625
provenance: Collection of Mark McDonald
Jean Prouve Phillipe Jousse, et al, Galerie Jousse Seguin & Galerie Enrico Navarra, Paris, 1998. 269 pages, Softcover.
Jean Prouve: Constructeur, 1901-1984 Blandine Chavanne, et al, Editiones de la Reunion, Paris, 2001. 185 pages, Hardcover.
Jean Prouve: Constructeur J. van Geest, H.F. de Jong and E.W. Karthaus, Delft University Press, Delft, 1981. 146 pages, Softcover.
Jean Prouve: Mobel/Furniture/Meubles Jan van Geest, Benedict Taschen, Koln, 1991. 160 pages, Softcover.
Charlotte Perriand: An Art of Living Mary McLeod, Harry N. Abrams, Inc., Publishers, New York, 2003. 304 pages, Hardcover with dustjacket.
Charlotte Perriand: Un art d'habiter, 1903-1959 Jacques Barsac, Norma Editions, Paris, 2005. 512 pages, Hardcover with dustjacket.
Le Corbusier + Jeanneret, Wright, Chicago, 2015. Softcover.
Charlotte Perriand: Un Art de Vivre Eugene Claudis-Petit and Francois Mathey, Flammarion/Musee des Arts Decoratifs, Paris, 1985. 79 pages, Softcover.
Serge Mouille: Luminiares 1953-1962 Christine Counord, Galerie 1950, Paris, 1983. 48 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.