326
326
Modern Design Surveys, fourteen
Modern Design Surveys, fourteen
estimate: $200–300
result: $1,875
provenance: Collection of Mark McDonald
Deco In Italia Fabio Benzi, Chiostro del Bramante, Milano, 2004. Color, 368 pages, Softcover.
The Machine Age in America 1918-1941 Richard Guy Wilson, Pilgrom, Tashjian, Abram, NY, 1986. B & W/Color, 376 pages, Hardcover with dustjacket.
Craft in the Machine Age The HIstory of Twentieth- Century American Craft 1920-1945 Janet Kardon, American Craft Museum, 1996. 304 pages, Hardcover.
The Machine Age in America 1918-1941 Richard Guy Wilson, Pilgrim, Tashjian, Abrams, NY. Hardcover with dustjacket.
Design and Decoration in the Home, B.T. Batsford Ltd., London, 1952. B & W, 144 pages, Hardcover.
1000 Chairs Charlotte & Peter Fiell, Taschen, 1997. 768 pages, Softcover.
Designing The Museum of Modern Art Glenn D. Lowry, MoMA, 2004. B & W/Color, 56 pages, Hardcover with dustjacket.
A Century of Ceramics in the United States 1878-1978 Garth Clark, Margie Hughto, Dutton, NY, 1979. 370 pages, Softcover.
Light Opera Virtuosity In Lighting Design Alastair Duncan, Mitchell Wolfson Collection, Miami-Dade, 1987. Color, 70 pages, Softcover.
Contempory Silver Made In Italy Eva Czernis-Ryl, Powerhouse, Sydney, 2004. Color, 125 pages, Hardcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.