318
318
Lighting Surveys, seventeen
Lighting Surveys, seventeen
estimate: $500–700
result: $1,950
provenance: Collection of Mark McDonald
Artemide Lampade mobili oggetti per arredare Catalogo '70 Italia, Simmons Company.
Italian Light 1960 - 1980 Paola Palma, Carlo Vannicola, Alinea Editrice, 2004. Color, 130 pages, Hardcover.
Italian Lighting Design 1945 - 2000 Alberto Bassi, Electra Architecture, Italy, 2004. B & W/Color, 246 pages, Softcover with dustjacket.
The Lighting Book A Complete Guide to Lighting your Home Deyan Sudjic, Crown, London, 1985. Color, 192 pages, Hardcover with dustjacket.
Light Years Ahead: The Story of PH Lamp Louis Poulsen, Copenhagen, 1994. 304 pages, Hardcover with dustjacket.
1000 Light 1879 to 1959 Charlotte & Peter Fiell, Taschen, Italy, 2005. Color, 576 pages, Softcover with dustjacket.
L'Oggetto Lampada Forma e Funzione Daniele Baroni, Electa, Milano, 1981. B & W/Color, 168 pages, Hardcover with dustjacket.
Light Opera Virtuosity in Lighting Design Alastair Duncan, Miami-Dade Community College, Miami, 1987. B & W/Color, 70 pages, Softcover.
LUX Italia 1930 - 1990 Piero Castilioni, Berenice, Italy, 1991. B & W/Color, 144 pages, Hardcover with dustjacket.
Lightworks Marcus Tremonto, Phillips de Pury & Company, 2007. Color, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.