313
313
Italian Design Surveys, twenty-four
Italian Design Surveys, twenty-four
estimate: $300–500
result: $1,875
provenance: Collection of Mark McDonald
The Amazing Bugattis Hugh Conway, Barron's, 1979. B & W, 84 pages, Softcover.
Italiensched Mobeldesign Albrecht Bangert, Modernes Design, 1985. 192 pages, Hardcover with dustjacket.
Italian Design Nina Bornsen-Holtmann, Taschen, 1994. B & W/Color, 175 pages, Softcover.
The Hot House Italian Wave Design Andrea Design, The MIT Press, 1984. B & W/Color, 156 pages, Hardcover with dustjacket.
Italian Design, Wright, 2005. Color.
Italy Builds G.E. Kidder Smith, Reinhold, NY, 1954. B & W, 264 pages, Hardcover.
Masterworks 1960-1994 Craig Miller, The American Federation of Arts, NY, 1996. Color, Softcover.
Tajan: Hommage A Ettore Sottsass, Espace Tajan, Paris, 2008. Color, 88 pages, Softcover.
Milano Made in Desin, Contrasto, 2006. Color, 159 pages, Softcover.
Alchimia Never-Ending Italian Design Kazuko Sato, 1985. 212 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.