312
312
Italian Design Surveys, seven
Italian Design Surveys, seven
estimate: $500–700
result: $1,820
provenance: Collection of Mark McDonald
1950-1980 Giuliana Gramigna, Mondadori, 1989. 586 pages, Hardcover with dustjacket.
Super Design: Italian Radical Design 1965-75, The Monacelli Press, 2017. 240 pages.
Il Design Italiano Degli Anni '50, IGIS Edizioni, 1981. 310 pages, Hardcover with dustjacket.
Il Design In Italia Dell'Arredamento Domestico Giuliana Gramingna, Paola Biondo et al., Umberto Allemandi & C, Torino. 494 pages, Hardcover with dustjacket.
Fontana Arte Una Storia Trasparente 1932-1998 Laura Falconi, Skira, 1998. B & W/Color, 238 pages, Hardcover with dustjacket.
Italy: The New Domestic Landscape Emilio Ambasz, The Museum of Modern Art, NY, 1972. B & W/Color, 430 pages, Hardcover with dustjacket.
Fashion: The Origins of High-Fashion to Stylism, Rizzoli. Color, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.