304
304
French Furniture Surveys, seventeen
French Furniture Surveys, seventeen
estimate: $1,000–1,500
result: $1,875
provenance: Collection of Mark McDonald
L'Art De Vivre Michel Jankowki, Paris, 1968. 122 pages, Hardcover with dustjacket.
Les Decorateurs des annees 40 Bruno Foucart, Jean-Louis Gaillenin, Norma Editions, France, 1999. B & W/Color, 304 pages, Hardcover with dustjacket.
Mobilier et Objets D'Art Gourdon, Christie's, France, 2011. B & W/Color, 230 pages, Softcover.
Les Formes Utiles: L'architecture Les arts plastiques les arts graphiques le mobiler l'equipement menager, France, 1955. B & W, Softcover with dustjacket.
Interieurs 50 Editions Synergon Christian Clairembourg, Pierre Cardin, Bruxelles, 1983. 144 pages, Softcover with dustjacket.
Les Annees 60 d'Anne Bony, Editions du Regard, Paris, 1965. B & W/Color, 765 pages, Hardcover with dustjacket.
Union Des Artistes Modernes Arlette Barre-Despond, Editions du Regard, Paris, 1986. B & W/Color, 573 pages, Hardcover with dustjacket.
Les Annees 50 d'Anne Bony, Editions du Regard, Paris, 1982. B & W/Color, 572 pages, Softcover with dustjacket.
Les Annees 40 d'Anne Bony, Editions du Regard, Paris, 1986. B & W/Color, 808 pages, Hardcover with dustjacket.
Furniture & Interiors of the 1960s d'Anne Bony, Flammarion, Paris, 2003. Color, 222 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.