301
301
Frank Lloyd Wright Furniture and Design Surveys, sixteen
Frank Lloyd Wright Furniture and Design Surveys, sixteen
estimate: $300–500
result: $1,625
provenance: Collection of Mark McDonald
Frank Lloyd Wright + The House Beautiful Virginia Terry Boyd, Bruce Brooks Pfeiffer, International Arts & Artists, DC, 2005. B & W/Color, 168 pages, Hardcover with dustjacket.
The Decorative Designs of Frank Lloyd Wright David A. Hanks, Dutton, Canada. 232 pages.
Frank Lloyd Wright: Preserving an Architectural Heritage David A. Hanks, Dutton, New York, 1989. B & W/Color, 156 pages, Hardcover with dustjacket.
Frank Lloyd Wright: Inside and Out Diane Maddex, Barnes and Noble Books, Arizona, 2001. Color, 254 pages, Hardcover.
50 Favorite Furnishings by Frank Lloyd Wright Diane Maddex, Smithmark, 1999. Color, 129 pages, Hardcover with dustjacket.
The Wright Style: Recreating the Spirit of Frank Lloyd Wright Carla Lind, Simon & Schuster, NY, 1992. Color, 224 pages, Hardcover with dustjacket.
Frank Lloyd Wright: The Rooms Interiors and Decorative Arts Margo Stipe, Rizzoli, NY. Color, 335 pages, Hardcover with dustjacket.
The Chairs of Frank Lloyd Wright Alexander Gorlin, Yale University, New Haven, 1987. B & W, Softcover.
Frank Lloyd Wright Scott Elliot, Kelmscott Gallery, 1981. 64 pages, Softcover.
Light Screens: The Leaded Glass of Frank Lloyd Wright Julie L. Sloan, Rizzoli, NY, 2001. B & W/Color, 200 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.