300
300
European Furniture Monographs, nineteen
European Furniture Monographs, nineteen
estimate: $200–300
result: $715
provenance: Collection of Mark McDonald
Thonet: 150 Years of Furniture Christopher Wilk, Barron's Educational Series, Inc., Woodbury, NY, 1980. 143 pages, Hardcover with dustjacket.
Gaudi Furniture Riccardo Dalisi, Academy Editions, London, 1979. 149 pages, Hardcover with dustjacket.
Christopher Dresser Stuart Durant, Academy Editions, London, 1993. 144 pages, Softcover.
Friedrich Kiesler Designer. Seating Furniture of the 30s and 40s Harald Krejci and Tulga Beyerle, Hatje Cantz Verlag, Ostfildern-Ruit, 2005. 128 pages, Softcover.
Kolo Moser: Graphic Artist and Designer Daniele Baroni and Antonio D'Auria, Rizzoli, New York, 1984. 141 pages, Softcover.
Wilhelm Wagenfeld (1900-1990) Beate Manske, Hatje Cantz Verlag, Ostfildern-Ruit, 2000. 208 pages, Hardcover with dustjacket.
Alphonse Mucha: The Master of Art Nouveau Jiri Mucha, Artia / Paul Hamlyn, Prague, 1966. 292 pages, Hardcover.
Dagobert Peche and The Wiener Werkstatte Peter Noever, Yale University Press in association with Neue Galerie, New Haven and London / New York, 2002. 512 pages, Hardcover with dustjacket.
Serrurier-Bovy: A Visionary Designer 1858-1910 Francoise Bigot du Mesnil du Buisson and Etienne de Mesnil du Buisson, Editions Faton, Dijon, France, 2008. 299 pages, Hardcover with dustjacket.
Hector Guimard F. Lanier Graham, The Museum of Modern Art, New York, 1970. 36 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.