287
287
Bound Domus Collection, twelve
Bound Domus Collection, twelve
estimate: $500–700
result: $2,250
provenance: Collection of Mark McDonald
Domus. January - June 1952. Issues 266-271, Editoriale Domus, Milan, 1952. Hardcover.
Domus. July - December 1952. Issues 272-277, Editoriale Domus, Milan, 1952. Hardcover.
Domus. January - June 1954. Issues 290-295, Editoriale Domus, Milan, 1954. Hardcover.
Domus. July - December 1954. Issues 296-301, Editoriale Domus, Milan, 1954. Hardcover.
Domus. January - June 1956. Issues 314-319, Editoriale Domus, Milan, 1956. Hardcover.
Domus. July - December 1956. Issues 320-325, Editoriale Domus, Milan, 1956. Hardcover.
Domus. January - June 1957. Issues 326-331, Editoriale Domus, Milan, 1957. Hardcover.
Domus. July - December 1957. Issues 332-337, Editoriale Domus, Milan, 1957. Hardcover.
Domus. January - June 1958. Issues 338-343, Editorale Domus, Milan, 1958. Hardcover.
Domus. July - December 1958. Issues 344-349, Editoriale Domus, Milan, 1958. Hardcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.