275
275
Scandinavian Fabric Surveys, fifteen
Scandinavian Fabric Surveys, fifteen
estimate: $300–500
result: $2,125
provenance: Collection of Mark McDonald
Eva Brummer Pekka Saarela, Leena Svinhufvud, et al., Taideteoillisuusmuseo, Helsinki, 2001. 80 pages, Softcover.
Contemporary Textile Art: Scandinavia Charles S. Talley, Carmina, Sweden, 1982. 200 pages, Hardcover with dustjacket.
Ryijy Annikki Toikka-Karvonen, Kuntannusosakeyhtio Otava, Helsinki, 1971. 522 pages, Hardcover with dustjacket.
Les Tapisseries de Mathieu Mategot Germain Bazin, Marcel Brion and Michel Fare, La Demeure et Les Éditions Des Deux-Mondes, Paris, 1962. Hardcover with dustjacket.
The Ryijy-Rug Lives On: Finnish Ryijy-Rugs 1778-2008 Tuomas Sopanen and Leena Willberg, Tuomas Sopanen, Finland, 2008. 395 pages, Hardcover.
Bittan Bergh Valberg Lena Holger, Raster Forlag, Sweden, 2001. 125 pages, Hardcover.
Rya Marran Uuve Rya Marran, Prisma, Stockholm, 2007. 172 pages, Hardcover with dustjacket.
Ruijy: Finish Textiles/Textiles Finlandais Jarno Peltonen, Museum of Applied Arts, Helsinki, 1991. 40 pages, Softcover.
Ruijy: Finish Textiles/Textiles Finlandais Jarno Peltonen, Museum of Applied Arts, Helsinki, 1991. 40 pages, Softcover.
Dora Jung Jarno Peltonen, Konstindustrimuseet, Helsinki, 1983. 24 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.