272
272
Fabric and Textile Surveys, fourteen
Fabric and Textile Surveys, fourteen
estimate: $200–300
result: $1,063
provenance: Collection of Mark McDonald
Great Tapestries Edita Lausanne, Time Life Books International Book Society, 1965. 278 pages, Hardcover with dustjacket.
Textile Designs Ideas and Applications Joel Sokolov, Library of Applied Design PBC, NY, 1991. Color, 136 pages, Hardcover with dustjacket.
Eva Brummer, Taideteollisuusmuseo, 2001. B & W/Color, 80 pages, Softcover.
Re: Weave 20 Years Christopher Farr. 102 pages, Softcover.
Art Deco and Modernist Carpets Susan Day, Chronicle Books, 2002. B & W/Color, 224 pages, Hardcover with dustjacket.
The Book of Tapestry, The Vendome Press, 1965. B & W/Color, 232 pages, Hardcover with dustjacket.
Making Contemporary Rugs and Wall Hangings Dona Z. Meilach, Abelard Schuman, 1970. 158 pages, Hardcover with dustjacket.
Art and Design Contemporary Rugs Christopher Farr, Matthew Bourne, Fiona Leslie et al., Merrell. 208 pages, Hardcover with dustjacket.
Twentieth-Century Fabrics Doretta Davanzo Poli, Skira, 2008. Color, 300 pages, Hardcover with dustjacket.
Artists' Textiles In Britain 1945-1970 Geoffrey Rayner, Richard Chamberlain, Annamarie Stapleton, et al., Antique Collectors' Club, 2003. 124 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.