271
271
Fabric and Textile Surveys, fifteen
Fabric and Textile Surveys, fifteen
estimate: $200–300
result: $813
provenance: Collection of Mark McDonald
Le Grand Livre De La Tapisserie Lausanne, Edita, 1965. Color, 279 pages, Hardcover.
La Nouvelle Tapisserie Andre Kuenzi, Bibliotheque Des Arts, Paris, 1981. B & W/Color, 325 pages, Hardcover with dustjacket.
The Art Fabric: Mainstream Mildred Constantine/Jack Lenor Larsen et al., Van Nostrand Reinhold Company. 272 pages, Hardcover with dustjacket.
Sonia Delaunay Fashion and Fabrics Jacques Damase, Abrams, NY, 1991. B & W/Color, 176 pages, Hardcover with dustjacket.
Twentieth-Century Pattern Design Textile & Wallpaper Pioneers Lesley Jackson, Princeton Architectural Press, 2002. 224 pages, Hardcover with dustjacket.
Contemporary French Tapestries Mildred Constantine, Charles Slatkin, NY, 1965. Softcover.
Hooked Rug Design, Pond-Ekberg, NY. 190 pages, Hardcover.
Tapestries The Great Twentieth Century Moderists Dirk Holger, Trust for Museum Exhibitions, DC, 2007. 46 pages, Softcover.
La Tapisserie Francaise et Les Peintres Cartonniers Jean Cassou, Max Damain, Renee Moutard-Uldry et al., TEL, 1957. B & W/Color, 186 pages, Hardcover.
A Weaver's Memoir Jack Lenor Larsen, Abrams, NY, 1998. B & W/Color, 160 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.