270
270
Craft Surveys, eighteen
Craft Surveys, eighteen
estimate: $300–500
result: $715
provenance: Collection of Mark McDonald
Designer-Craftsmen USA, Museum of Contemporary Crafts of the American Craftmen's Coucil, NY, 1960. B & W, 35 pages, Softcover.
Skilled Work American Craft in the Renwick Gallery Kenneth Trapp, Howard Risatti, National Museum of American Art, 1998. Color, 192 pages, Hardcover with dustjacket.
Mosaic Art Today Larry Argiro, International Textbook Company, Pennsylvania, 1968. B & W/Color, 257 pages, Hardcover.
Masters of Their Craft Kenneth R. Trapp, Smithsonian American Art Museum, 2003. 108 pages, Softcover.
Contemporary Crafts of the Americas Nilda C. Fernandez Getty, Regnary, 1975. B & W/Color, 172 pages, Hardcover with dustjacket.
Contemporary African American Crafts, Brooks Memorial Arts Gallery, Tennessee. Softcover.
Objects: USA Lee Nordness, Viking, NY, 1970. B & W/Color, 360 pages, Hardcover with dustjacket.
Tradition and Change The New American Craftsman Julie Hall, Dutton, 1977. B & W/Color, 192 pages, Hardcover with dustjacket.
Craftsman Lifestyle The Gentle Revolution Olivia H. Emery, A California Design Publication. B & W, Softcover.
Havasupai Baskets and their Makers: 1930 - 1940 Barbara & Edwin McKee, Joyce Herold et al., Northland Press, 1975. 142 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.