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267
Harry Bertoia and Various Artist Monographs, fifteen
Harry Bertoia and Various Artist Monographs, fifteen
estimate: $200–300
result: $1,375
provenance: Collection of Mark McDonald
Bertoia. New York. 10 November 2010, Sotheby's, New York, 2010. 36 pages, Softcover.
In Nature's Embrace: The World of Harry Bertoia Mark Coir, Robert P. Metzger, et al., Reading Public Museum, Reading, PA, 2006. 56 pages, Softcover.
Bertoia: Featuring Masterworks From The Karre Bernsten Collection Celia Bertoia, Sotheby's, New York, 2016. 136 pages, Softcover.
Bertoia: The Standard Oil Commission. Auction 6 June 2013, Wright, Chicago, 2013. 59 pages, Softcover.
The World of Bertoia Nancy N. Schiffer & Val O. Bertoia, Schiffer Publishing, Atglen, PA, 2003. 270 pages, Hardcover with dustjacket.
Michele Oka Doner: Natural Seduction Suzanne Ramlijak, Morris Lapidus, et al., Hudson Hills Press, New York / Manchester, 2003. 199 pages, Hardcover with dustjacket.
Michele Oka Doner: Ceremonial Silver Audrey Friedman and Haim Manishevitz, Primavera Gallery, New York, 1999. 28 pages, Softcover.
Everything Is Alive Michele Oka Doner, Regan Arts, New York, 2017. 238 pages, Hardcover with dustjacket.
Black Mountain College and Its Legacy Robert S. Mattison and Loretta Howard, Loretta Howard Gallery, New York, 2011. 19 pages, Softcover.
Black Mountain College and Its Legacy Robert S. Mattison and Loretta Howard, Loretta Howard Gallery, New York, 2011. 19 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.