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American Craft Furniture Collection, twenty
American Craft Furniture Collection, twenty
estimate: $300–500
result: $4,375
provenance: Collection of Mark McDonald
Samuel Marx Liz O'Brien, Forty One, 1996. 48 pages, Softcover.
The Furniture and Sculpture of Wharton Esherick, Museum of Contemporary Crafts, NY, 1958. B & W, Softcover.
Tony Duquette Wendy Goodman, Hutton Wilkinson et al., Abrams, 2007. Color, 362 pages, Hardcover with dustjacket.
Modern Americana Studio Furniture from High Craft to High Glam Todd Merrill, Julie Lovine, Rizzoli, 2008. 270 pages, Hardcover with dustjacket.
Contemporary American Woodworkers Michael A. Stone, Peregrine Smith Book. Hardcover with dustjacket.
George Nakashima Full Circle Derek E. Ostergard, American Craft Museum of the American Craft Council, NY, 1989. 192 pages, Hardcover.
Molesworth The Pioneer of Western Design Terry Winchell, Gibbs Smith, 2005. Color, 226 pages, Hardcover.
Natural Seduction Michele Oka Doner, Hudsoon Hills Press, NY, 2003. Color, 200 pages, Hardcover with dustjacket.
J.B. Blunk Glenn Adamson, Blum & Poe.
Harry Bertoia, Sculptor June Kompass Nelson, Wayne State University Press, Detroit, 1970. B & W, 136 pages, Hardcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.