263
263
Rare Italian Ceramics Surveys, eleven
Rare Italian Ceramics Surveys, eleven
estimate: $600–800
result: $563
provenance: Collection of Mark McDonald
Ceramiques Italiennes, L'Institut Italien Pour Le Commerce Extérieur, Rome. 179 pages, Softcover.
XXVI Concorso Internazionale Della Ceramica D'Arte Catalogo, Citta di Faenza, Faenza, 1968. 317 pages, Softcover.
XXIII Concorso Internazionale Della Ceramica D'Arte Catalogo, Citta di Faenza, Faenza, 1965. 275 pages, Softcover.
La Ceramica Futurista da Balla a Tullio D'Albisola Enrico Crispolti, Centro Di, Firenze, 1982. 199 pages, Softcover.
1920-1950: Ceramiche del Museo Artistico Industriale di Napoli Angela Carola-Perrotti e Ciro Ruju, Centro Di, Firenze, 1985. 125 pages, Softcover.
Ceramiche Del Novecento, Finarte Casa D'Aste, Milano, 1987. Softcover.
Mosaici Moderni / Modern Mosaics Claudio Spadoni, Longo Editore, Ravenna, 1999. 109 pages, Softcover.
Craft Horizons: Italy, Vol XXI, No. 2, March-April 1961, American Craftsmen's Council, New York, 1961. 58 pages, Softcover.
Notiziaro: Orientamenti Del Mercato Delgi Stati Uniti, N. 32, Cermica E Porellana, Comitato Nazionale Per La Produttivita, Roma, 1959. 104 pages, Softcover.
Manifatture E Ceramisti Italiani 1900-1960, 36 Incontri Carlo Venturini, Carlo Venturini, Milano, 2001. 79 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.