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Italian Ceramics Monographs, seventeen
Italian Ceramics Monographs, seventeen
estimate: $700–900
result: $2,375
provenance: Collection of Mark McDonald
L'Alchimia Delle Terre 1952 - 1991 Carlo Zauli. 390 pages, Hardcover.
Matrici e Radici in Carlo Zauli Claudio Marabini, Fabio Donato, CUEN, 1989. 118 pages, Hardcover with dustjacket.
Carlo Zauli Renato Barilli, Grafis Edizioni, Italy. 172 pages, Hardcover with dustjacket.
Gio Ponti alla manifattura di Doccia, Sugar co Edizioni, 1982. 123 pages, Hardcover with dustjacket.
Salvatore Fiume Insinuazione Metafisica Franc Solmi, Marsilio Editori, 1989. 121 pages, Softcover with dustjacket.
Marcello Fantoni Omaggio agli antenati, Pagliai Polistampa, 2001. 128 pages, Hardcover with dustjacket.
Ceramica Come Arte Ceramista Scultore Marcello Fantoni, Octavao. 167 pages, Softcover.
The Path of Ideas Maioliche Artistiche Guido Bitossi, Montelupo Fiorentino, Italy.
Ceramiche Del Novecento, Roma, 1990. Softcover.
Gambone La Leggenda Della Ceramica Eduardo Alamaro, Tullio Pironti Editore, 1991. B & W/Color, 183 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.