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258
Finnish Ceramics, ten
Finnish Ceramics, ten
estimate: $150–200
result: $2,340
provenance: Collection of Mark McDonald
Toini Muona: Arabia 1931-1970 Marjut Kumela, Konstindustrimuseets, Helsinki, 1988. 31 pages, Softcover.
Toini Muona: Arabia 1931-1970 Marjut Kumela, Konstindustrimuseets, Helsinki, 1988. 31 pages, Softcover.
Tapio Wirkkala: Rosenthal, The Finnish Glass Museum, Helsinki. Softcover.
Arabia Marjut Kumela, Karrina Rissanen, et.al., Oy Wartsilla ab Arabia, Helsinki, 1987. 176 pages, Softcover.
Kyllikki Salmenhaara 1915-1981 Marianne Aav, Henrik Grohn, et.al., Konstindustrimusseet, Helsinki, 1986. n.p. pages, Softcover.
Friedl Kjellberg: Keraamikon tie 1824-1970 Mirja-Kaisa Kipeli, Arabian museo / Arabia Museum, Helsinki, 1989. n.p. pages, Softcover.
Engelse Cermiek: Weefsels en Viechtwerk. Stedelijk Museum catalogue 111 Henry Rothschild, Stedelijk Museum, Amsterdam, n.d.. n.p. pages, Softcover.
Kaipianen Maria Berg, Kunstannusosakeyhtio Otava, Helsinki, 1986. 190 pages, Hardcover with dustjacket.
Ceramic Art in Finland: A Contemporary Tradition Asa Hellman, Thames & Hudson, London, 2004. 272 pages, Hardcover with dustjacket.
Ceramic Art in Finland: A Contemporary Tradition Asa Hellman, Otava Publishing Company, Ltd., Helsinki, 2004. 272 pages, Hardcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.