254
254
Ceramics Surveys, thirteen
Ceramics Surveys, thirteen
estimate: $200–300
result: $813
provenance: Collection of Mark McDonald
Exotica Jason Jacques, Hard Press Editions, USA, 2010. Color, 308 pages, Hardcover with dustjacket.
Cowans + Clark + DelVecchio, Cowans, 2010. 96 pages, Softcover.
Stoneware & Porcelain The Art of High-Fired Pottery Daniel Rhodes, Chilton Book Company, Philadelphia. 217 pages, Hardcover with dustjacket.
Creative Clay Design Creative Play Series Ernst Rottger, Reinhold, 1963. B & W/Color, 96 pages, Hardcover with dustjacket.
Sevres La Manufacture au XXeme Siecle Michael Aveline, Paris, 1992. 258 pages, Hardcover with dustjacket.
The Unexpected Artists' Ceramics of the 20th Century Janet Koplos, Borka, Stokvis, Poodt et al., Abrams, USA, 1998. B & W/Color, 170 pages, Hardcover with dustjacket.
Great Pots Contemporary Ceramics from Function to Fantasy, The Newark Museum Association, 2003. Color, 2108 pages, Hardcover with dustjacket.
Studio Pottery, Phaidon, 1993. 288 pages, Softcover with dustjacket.
De la couleur et du feu: Céramiques d'artistes de 1885 à nos jours, FARFA, 2000. Color, 188 pages, Softcover.
La Ceramique Art Deco Edgar Pelichet, Bibliotheque Des Arts, 1988. 200 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.