253
253
Ceramics Surveys, six
Ceramics Surveys, six
estimate: $500–700
result: $9,100
provenance: Collection of Mark McDonald
L'Art de la Poterie en France de Rodin a Dufy Henry-Pierre Fourest, Musee National de Ceramique, Sevres, 1971. 71 pages, Softcover.
Georges Jouve: Ceramiste Michel Fare, Art et Industrie, Paris, 1965. B & W, 95 pages, Hardcover.
Rogert Capron Art & Design: Postwar to Present Alfonso Munoz and Jean-Philippe Mathier, Gueridon, New York, 2000. 36 pages, Softcover.
Rene Buthaud: Ceramiques Jacqueline du Pasquier, Musee des Arts Decoratifs, Bordeaux, 1976. 167 pages, Softcover.
Georges Jouve Philippe Jousse, Galerie Jousse Enterprise, Paris, 2005. 320 pages, Hardcover.
La Ceramique Fauve Dominique Forest, Chaiers Henri Matisse, Musee Matisse, Nice, 1996. 140 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.