239
239
Modern Art Monographs, twenty
Modern Art Monographs, twenty
estimate: $300–500
result: $5,000
provenance: Collection of Mark McDonald
Hans Hofmann, Ameringer McEnery Yohe, 2017. 20 pages, Hardcover.
Gabo Pevsner Ruth Olson, Abraham Chanin et al., The Museum of Modern Art, NY, 1948. 83 pages, Softcover.
Cy Twombly Paintings & Sculptures 1951 & 1953, Sperone Westwater, NY, 1989. Hardcover with dustjacket.
Hans Hofmann, Ameringer McEnery Yohe, 2014. 92 pages, Hardcover with dustjacket.
Morris Louis John Elderfield, The Museum of Modern Art, NY, 1986. Color, 190 pages.
Ed Lissitzty Reed, Thames and Hudson, 1967. 410 pages, Hardcover.
Cy Twombly Fifty Years of Works on Paper, The Menil Collection, Houston, 2005. 159 pages, Softcover.
William De Kooning Late Paintings Schirmer, Mosel et al., 2006. 83 pages, Hardcover with dustjacket.
Richard Serra Torqued Spirals, Toruses and Sphere Hal Foster, Gagosian Gallery, 2001. B & W, 63 pages, Hardcover with dustjacket.
After Mountains and Sea: Frankenthaler 1956-1959 Susan Cross, Guggenheim Foundation, 1998. 96 pages, Hardcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.