235
235
Hard Edge Art Surveys, thirty-seven
Hard Edge Art Surveys, thirty-seven
estimate: $300–500
result: $3,250
provenance: Collection of Mark McDonald
Looking Back Martha Parrish, James Reinish, Inc., NY, 2008. Color, 96 pages, Softcover.
Color Field as American Painting 1950 - 1975 Karen Wilkin, Yale University Press, NY, 2007. Color, 127 pages, Hardcover with dustjacket.
KENT of Absence and Presence Ilya Chasnick, Kent fine art, NY, 1986. Color, 54 pages, Softcover.
The Second Wave: American Abstraction of the 1930's and 1940's Selections from the Penny and Elton Yasuna Collection Susan Strickler & Elaine Gustafson, Worcester Art Museum, Massachusetts, 1991. B & W/Color, 136 pages, Softcover.
Constructivism and the Geometric Tradition Willy Rotzler, McCrory Corporation, NY, 1979. B & W/Color, 94 pages, Softcover.
Chauvin Christian Zervos, Editions Cahiers D'Art, Paris. 104 pages, Hardcover with dustjacket.
Structured Color Emily Lenz, D. Wigmore Fine Art, Inc., NY. Color, 44 pages, Softcover.
Hildo Krop E.J. Lagerweij-Polak, SDU/Openbaar Kunstbezit, 1992. B & W, 144 pages, Hardcover with dustjacket.
The Precisionist View in Americn Art Martin Friedman, Walker Art Center, Minneapolis, 1960. B & W, 62 pages, Softcover.
Four Optic Visionaries Joe Houston, D. Wigmore Fine Art, Inc., NY, 2008. Color, 50 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.