229
229
Contemporary Art Monographs, thirty-one
Contemporary Art Monographs, thirty-one
estimate: $300–500
result: $5,250
provenance: Collection of Mark McDonald
The Cremaster Cycle Matthew Barney, Guggenheim Museum, 2003. Color, 522 pages, Hardcover.
Fred Wilson Objects & Installations 1979-2000 Maurice Berger, Center for Art & Visual Culture, NY, 1991. Color, 176 pages, Softcover.
Jenny Holzer Redaction Paintings Holzer, Cheim & Read, 2006. 106 pages, Hardcover with dustjacket.
In the Garden Jennifer Bartlett, Abrams, NY, 1982. B & W/Color, 208 pages, Hardcover with dustjacket.
Public Body 1965-2001 Marina Abramovic, Germano Celant, Charta. 495 pages, Hardcover with dustjacket.
Jean Michel Basquiat, Galerie Enrico Navarra. 374 pages, Hardcover.
Sarah Sze Sans, Schefer et al., Thames & Hudson, 1999. 110 pages, Hardcover.
Edward Ruscha Stains John Cheim, Robert Miller, NY.
Martin Puryear Glenn Lowry, The Museum of Modern Art, NY. 215 pages, Hardcover with dustjacket.
Marina Abramovic Artist Body, Charta, Milano, 1998. 476 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.