225
225
Richard Neutra Monographs, nine
Richard Neutra Monographs, nine
estimate: $200–300
result: $17,500
provenance: Collection of Mark McDonald
The Architecture of Richard Neutra: From International Style to California Modern Arthur Drexler and Thomas S. Hines, The Museum of Modern Art, New York, 1982. 114 pages, Softcover.
Richard Neutra (1892-1970): Architectural Drawings, Couturier Gallery, Los Angeles, 1997. 11 pages, Softcover.
Richard Neutra's Windshield House Dietrich Neumann, Harvard Design School and The Yale University Press, Cambridge / New Haven, 2001. 150 pages, Softcover.
Richard Neutra's Miller House Stephen Leet, Princeton Architectural Press, New York, 2004. 191 pages, Softcover.
Richard Neutra Kokusai Kentiku-Kyokai, Bizyutu-Syuppan-Sya Ltd., Tokyo, 1953. 219 pages, Hardcover with dustjacket.
Building with Nature Richard Neutra, Universe Books, New York, 1971. 223 pages, Hardcover with dustjacket.
Vienna to Los Angeles: Two Journeys Esther McCoy, Arts + Architecture Press, Santa Monica, 1979. 155 pages, Softcover.
Life and Human Habitat / Mensch und Wohnen Richard Neutra, Verlagsanstalt Alexander Koch, Stuttgart, 1956. 314 pages, Hardcover with dustjacket.
World and Dwelling Richard Neutra, Universe Books, Inc., New York, 1962. 159 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.