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219
Le Corbusier Monographs, ten
Le Corbusier Monographs, ten
estimate: $500–700
result: $4,375
provenance: Collection of Mark McDonald
Le Corbusier 1910-29 Pierre Jeanneret, Les Editions d'Architecture, Zurich, 1964. B & W, 216 pages, Hardcover with dustjacket.
Le Corbusier 1929-34 Willy Boesiger, Les Editions d'Architecture, Zurich, 1964. B & W, 208 pages, Hardcover with dustjacket.
Le Corbusier & P. Jeanneret 1934-1938 Max Bill, Les Editions d'Architecture, Zurich, 1964. B & W, 175 pages, Hardcover with dustjacket.
Le Corbuier 1938-46, Les Editions d'Architecture, Zurich, 1946. B & W, 208 pages.
Le Corbusier 1946-52, Les Editions d'Architecture, Zurich, 1953. B & W, 244 pages, Hardcover with dustjacket.
Le Corbusier Oeuvre Complete 1952-57 Boesiger, Les Editions d'Architecture, Zurich, 1957. B & W, 222 pages, Hardcover with dustjacket.
Le Corbusier 1957-65 Boesiger, VA, Zurich, 1965. B & W, 240 pages, Hardcover with dustjacket.
Le Corbusier: The Last Works Willy Boesiger, Les Editions d'Architecture, Zurich, 1970. B & W/Color, 208 pages, Hardcover with dustjacket.
Le Corbusier Creation is a Patient Search Maurice Jardot, Praeger, NY, 1960. B & W, 310 pages, Hardcover with dustjacket.
Who Was Le Corbusier? Maurice Besset, Skira, Geneva, 1968. B & W/Color, 228 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.