210
210
Contemporary Architecture Monographs, fourteen
Contemporary Architecture Monographs, fourteen
estimate: $200–300
result: $2,125
provenance: Collection of Mark McDonald
James Cutler. Contemporary World Architects Theresa Morrow, Rockport Publishers, Gloucester, MA, 1997. 131 pages, Softcover.
Glenn Murcutt: Three Houses E.M. Farrelly, Phaidon Press, London / New York, 2002. n.p. pages, Softcover.
Michele De Lucchi: From Here to There and Beyond Fiorella Bulegato and Sergio Polano, Electa Architecture, Milano, 2005. 327 pages, Hardcover with dustjacket.
Shuhei Endo: Paramodern Architecture Hiroyuki Suzuki, Electa Architecture, Milan, 2003. 211 pages, Hardcover with dustjacket.
Carlos Ferrater: Works and Progress Massimo Preziosi, Electa Architecture, Milan, 2002. 267 pages, Hardcover with dustjacket.
Kasama Steven Holl, Museum of Contemporary Art and The Finnish Building Centre, Helsinski, 1997. 96 pages, Hardcover.
Joel Sanders: Writings and Projects Joseph Rosa, The Monacelli Press, New York, 2004. 191 pages, Softcover.
Latent Utopias: Experiments within Contemporary Architecture Zaha Hadid and Patrik Schumacher, Springer Verlag, Wien, 2002. 302 pages, Hardcover.
New Forms: Architecture in the 1990s Philip Jodidio, Taschen, Koln, 2001. 237 pages, Softcover.
International Style: Modernist Architecture from 1925 to 1965 Hasan-Uddin Khan, Taschen Verlag, Koln, 2001. 237 pages, Softcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.