209
209
Bauhaus Architecture Surveys, twelve
Bauhaus Architecture Surveys, twelve
estimate: $200–300
result: $2,600
provenance: Collection of Mark McDonald
Bauhaus-Architektur Hans Engels, Prestel, 2001. Color, 144 pages, Hardcover with dustjacket.
Rassegna Walter Gropius. B & W/Color, Softcover with dustjacket.
The Bauhaus Masters and Students Barry Friedman, Barry Friedman, Ltd., 1988. B & W/Color, 123 pages, Softcover with dustjacket.
45 Rassegna (Goethe, Van de Velde and Gropius in Weimar). B & W/Color, 120 pages, Hardcover.
Crafts of the Weimar Bauhaus, Studio Vista, London, 1966. Color, 150 pages, Hardcover with dustjacket.
Designs for the Future Bauhaus Weimar Michael Siebenbrodt, Hatje Cantz, 2000. Color, Hardcover with dustjacket.
Die Metall Werkstatt am Bauhaus Peter Hahn, Bauhaus-Archiv, Berlin, 1992. 331 pages, Softcover.
Keramik und Bauhaus, Bauhaus Archiv, 1989. B & W, 286 pages, Softcover.
Bauhaus 1919 - 1928 Herbert Bayer, Walter Gropius, Ise Gropius et al., The Museum of Modern Art, NY, 1938. B & W, 224 pages, Hardcover with dustjacket.
Painters of the Bauhaus Eberhard Roters, Praeger, NY, 1965. B & W, 215 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.