208
208
Bauhaus Architecture Monographs, twelve
Bauhaus Architecture Monographs, twelve
estimate: $200–300
result: $2,750
provenance: Collection of Mark McDonald
Architecture Without Rules The House of Marcel Breuer and Herbert Backhard David Masello, Norton, NY. B & W/Color, 172 pages, Softcover.
Sun and Shadow: The Philosophy of an Architect Marcel Breuer, Longmans. 205 pages, Hardcover with dustjacket.
Mies van der Rohe: The Villas and Country Houses Wolf Tegethoff, The Museum of Modern Art, NY, 1981. B & W, 224 pages, Hardcover with dustjacket.
Mies van der Rohe at work Peter Carter, Praeger, NY, 1974. B & W, 196 pages, Hardcover with dustjacket.
Walter Gropius Work and Teamwork S. Giedion, Reinhold, NY, 1954. B & W, 247 pages, Hardcover with dustjacket.
Mies in Berlin Riley Bergdoll, The Museum of Modern Art, 2001. B & W/Color, 592 pages, Hardcover with dustjacket.
Mies van der Rohe, Vitra Design Museum Skira. B & W/Color, 209 pages.
Marcel Breuer, Architect The Career and the Buildings, Abrams, NY, 2001. B & W/Color, 395 pages, Hardcover with dustjacket.
Walter Gropius Sigfried Giedion, Dover, NY, 1992. B & W, 249 pages, Softcover.
Mies van der Rohe Philip C. Johnson, The Museum of Modern Art, NY, 1947. B & W, 207 pages, Hardcover.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.