203
203
Modern Art Monographs, twenty-eight
Modern Art Monographs, twenty-eight
estimate: $300–500
result: $2,750
provenance: Collection of Mark McDonald
The Transcendental Art of Emil Bisttram Walt Wiggins, Bisttram, 1988. 96 pages, Hardcover with dustjacket.
Bohrod Aaron Bohrod: Paintings, 1965-1980 Garver, Madison Art Center, Wisconsin. 48 pages, Softcover.
Hilaire Hiler and Structuralism Waldermar George, Prisme Des Art, NY. Softcover.
American Modernist Patrick Henry Bruce William C. Agee, Barbara Rose, Museum of Modern Art, 1979. B & W, 225 pages, Softcover.
MacIver Pereira John I.H. Baur, The Macmillan Company, NY, 1953. 71 pages, Hardcover with dustjacket.
The Museum of Non-Objective Painting Jacobs, Snyder Fine Art, 1996. 32 pages, Softcover.
Rolph Scarlett, Struve Gallery, 1990. Softcover.
Charles G. Shaw, Richard York Gallery, NY.
Ernest Fiene: Art of the City 1925-1955, ACA Galleries, NY.
The Prints of Louis Lozowick: A Catalogue Raisonné Janet Flint, Hudson Hills Press, NY, 1982. B & W, 220 pages, Hardcover with dustjacket.
Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.
In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work.
In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him.
A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.