Design and Library from the Collection of Mark McDonald 
13 January 2022
Design and Library from the Collection of Mark McDonald 
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Michael Jerry

Pinch sugar and creamer set

USA, c. 2007
pewter largest: ¾ h × 7½ dia in (2 × 19 cm) smallest: 2½ h × 2½ dia in (6 × 6 cm)
estimate: $500–700
result: $625
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Set is comprised of sugar container with lid, creamer, small container and tray. Incised or impressed signature to underside of each element ‘M. Jerry’.
provenance: Collection of Mark McDonald
exhibited: Michael Jerry: Master Metalsmith 2010, 3 September - 31 October 2010, National Ornamental Metal Museum, Memphis, TN
literature: Michael Jerry: Master Metalsmith 2010, exhibition catalog, unpaginated

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My relationship with the talented metalsmith, Michael Jerry, began in 1984 while researching for our Structure and Ornament jewelry exhibition. His life has been devoted to teaching metal-smithing; he is an American legend in his field. He studied at Rochester Institute of Technology and Cranbrook in the 60’s, and was an influential instructor at Syracuse University and University of Wisconsin for 40 years. In 2010, he received the highest honor possible in his field, a retrospective of his life’s work at the prestigious Metal Museum in Memphis, both of these lots were included in this exhibition and catalog.  —Mark McDonald

Mark McDonald

The Founder of Mid-century Design

Mark McDonald has always been at the epicenter of the world that is mid-century design, to a large extent, it is a world he created. For over forty years, Mark has pioneered whole fields of collecting, providing the scholarship and creating the market for mid-century furniture, studio jewelry, ceramics and Italian glass.

Fifty/50 store front; Ralph Cutler, Mark Isaacson and Mark McDonald

In 1983, Mark opened Fifty/50 with partners Mark Isaacson and Ralph Cutler. This groundbreaking gallery defined collectors’ taste. At the time, modern works were still largely overlooked; Mark and his partners collected and presented the rarest and most interesting pieces, often working with the makers themselves, to create compelling exhibitions accompanied by catalogs documenting the work. 

Fifty/50 opened its doors with an exhibition of Eames design; Mark McDonald and Ray Eames

In the 1990s, Mark opened Gansevoort Gallery, where he continued to curate collections and exhibitions of lasting impact. Over the years, he established relationships with artists and their estates becoming the go to authority on the designs of Art Smith, Ilonka Karasz and Leza McVey, among others. His enthusiasm for the material extended beyond the gallery floor to the back room where lucky visitors got to flip through Mark’s impressive design reference library and discuss the importance of works with him. 

Art Smith with his Spiral necklace design; Mark hosted an exhibition on Art Smith at Gansevoort Gallery. His support of the artist extended to the Brooklyn Museum to which Mark donated several Smith pieces for their collection.

A connoisseur and wealth of knowledge, Mark became a resource for prominent collections across the globe—private and public alike. He inspired a generation of collectors and dealers introducing designers and their production to an audience that continues to grow. In 2002, Mark closed Gansevoort and established 330 gallery in Hudson, New York. Now, semi-retired, Marks splits his time between New York and Florida. He still collects, curates, supports, and shepherds the scholarship of mid-century design.

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