Danese: A Private Collection 
26 March 2021
Enzo Mari, Samos centerpiece, model O - Image 1 of 3
Enzo Mari, Samos centerpiece, model O - Image 2 of 3
Enzo Mari, Samos centerpiece, model O - Image 3 of 3
Danese: A Private Collection 
Enzo Mari, Samos centerpiece, model O - Image 1 of 3
Enzo Mari, Samos centerpiece, model O - Image 2 of 3
Enzo Mari, Samos centerpiece, model O - Image 3 of 3
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Enzo Mari

Samos centerpiece, model O

Danese
Italy, 1973
glazed porcelain 2¾ h × 11½ w × 10¾ d in (7 × 29 × 27 cm)
estimate: $7,000–9,000
result: $26,250
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Stamped manufacturer's mark to underside ‘Enzo Mari 1973 Danese Milano’.
provenance: Acquired directly from Danese by the present owner
literature: Danese Milano: Enzo Mari A Proposal for Handmade Porcelain, unpaginated Enzo Mari: L'arte del Design, Galleria Civica d'Arte Moderna e Contemporanea di Torino exhibition catalog, pg. 187

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Enzo Mari: A Proposal for Handmade
Porcelain by Ettore Sottsass

Excerpted from a Danese Milano catalog, 1975

And now we have the porcelains...I believe these porcelains are, instead diagrams for meticulous gestures of the hands, and for the attentive focussing of eyes that have perhaps found an answer to their questing. I believe they are diagrams (like Buddha rosaries) for cathartic exercises; I believe they are signs for reading medieval Sutras in the correct order; I believe that they are simple geometris for the silent repetition of ancient therapeutic formulas; I believe they are moulds of bandages that have healed difficult wouunds; I believe they are instruments of consolation rather that instruments of presumption. I believe that these porcelains must me treated with care, as one treats a memory of the past. I believe that one should honor them as one honours the instruments of a rite; I believe that one should put them down carefully on the wood table-top, as one lays down the fragile sheet of a letter that tells of melancholic adventures...

Danese: An Archetype

Designs from 1957–1978

The Italian firm Danese stands as one of the most influential companies in the history of design. Founded in 1957 by Bruno Danese and Jacqueline Vodoz, it was conceived to connect culture and industry and to bring art into the everyday.

Danese installation at a fair in Frankfurt Germany, c. 1973. Image via Danese Milano; Danese in Jack Lenor Larsen's shop, New York City, 1977. Image via Danese Milano

According to the company’s manifesto, their story “is a narration of material culture, suggested functions, discreet pedagogies and practical beauty.” With an emphasis on quality craftsmanship, forms born out of function and materiality, and details that are always essential, Danese is known around the globe for its production of timeless design, art and objects.

Danese’s success can largely be attributed to the philosophies and creations of Enzo Mari and Bruno Munari—Mari, known for asserting that “Form is everything” and his unwavering belief in the accessibility of good design, and Munari for his relentless experimentation with materials and technologies in the pursuit of new modes of visual communication. The result is an astonishing variety of products. From items for the home and office, to games, exhibitions, books and more, the two designers set the company on its course and established the quality and gold standard of Danese production.

By the 1970s, Danese achieved global recognition. The firm was participating in international fairs and exhibitions while opening stores and selling their product around the world, including the United States, France, Japan, etc. The firm paid great attention to the presentation and display of their product aligning themselves more closely with the world of art. And indeed Danese was in the business of selling works of art for the home and office. 

Over the years, many other influential designers—Angelo Mangiarotti, Claudio Boselli, Achille Castiglioni, Matali Crasset, Marco Ferreri, Naoto Fukasawa, Jonathan Olivares, Ron Gilad—would create for Danese, producing enduring and coveted objects for the use, enjoyment and benefit of all. 

Wright is honored to present the first auction dedicated to the influential production of Danese. The selection was amassed by a private European collector who acquired his first piece of Danese design in 1969 and proceeded on a global odyssey purchasing works from Danese stores as he traveled. Most works were obtained near their time of production, though a handful of select pieces were specially sought out and acquired later from private collections. Comprehensive in scope this exceptional collection traverses the first 20 years at Danese and the innovative, playful, and genuine designs of Enzo Mari and Bruno Munari.

This is a recognition of something belonging to art, but also of a quality to be found in things designed in the spirit of truth and made with love.

Vanni Pasca, Danese Catalog October 1990

A major retrospective of Enzo Mari’s work opened in October of 2020 at the Triennale di Milano just days before Mari passed away. Extended until April of 2021, the exhibition, Enzo Mari curated by Hans Ulrich Obrist with Francesca Giacomelli, explores Mari’s more than 60 year career and includes previously unpublished material from his archive.  

Enzo Mari 1932–2020

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Irascible, polemical, and influential are just a few of the words most commonly associated with Italian artist, designer, critic, and theorist Enzo Mari, who is perhaps most famous for his favorite (and oft-repeated) quote: “Design is dead”. Born and raised in Cerano, a region of Piedmont, Mari moved to Milan in 1947 and worked a variety of jobs before enrolling in the prestigious Accademia di Belle Arti di Brera in 1952. He studied art and literature with a specific focus on the psychology of vision, the planning of perceptive structures, and the methodology of design. Not long after graduating he met Bruno Danese, co-founder of the eponymous design brand Danese; it was an encounter that would shape the remainder of Mari’s career.

Danese and Mari both felt strongly that good design should be accessible, economic, and affordable. Mari designed a multitude of creations for the company, including the much admired 16 Animali wooden puzzle. Inspired by his own children as well as his research into Scandinavian toys, it was a toy made from a single piece of oak that, with one continuous cut, came apart into 16 separate animals. Mari went on to conceive of over 1500 designs for many premier Italian design companies including Driade, Artemide, Zanotta and Magis. He also created illustrations, books with Einaudi and Bollati Boringhieri, and works for children. One of his most memorable projects, and the one which best demonstrates his belief that design should be accessible to all, was his Proposta per un’Autoprogettazione (Proposal for a Self-design) series. It consisted of a set of diagrams that allowed anyone to build DIY furniture with cuts of pine and some nails, the instructions for which Mari would mail to anyone who sent him postage.

Auction Results Enzo Mari

ENZO MARI, Samos centerpiece, model N | Wright20.com

Enzo Mari

Samos centerpiece, model N

estimate: $7,000–9,000

result: $30,000
ENZO MARI, Samos centerpiece, model B | Wright20.com

Enzo Mari

Samos centerpiece, model B

estimate: $7,000–9,000

result: $25,000
ENZO MARI, Cubos model 3018A, set of four | Wright20.com

Enzo Mari

Cubos model 3018A, set of four

estimate: $3,000–5,000

result: $15,000
ENZO MARI, Samos vase, model Z | Wright20.com

Enzo Mari

Samos vase, model Z

estimate: $5,000–7,000

result: $13,750

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