bronze, brass 8½ h × 8¼ w × 6 d in (22 × 21 × 15 cm)
The concept of multiples was central to Miguel Berrocal’s artistic practice. Just as painters used printing techniques to reproduce graphic works, Berrocal sought to make his three-dimensional sculptures accessible to a broader audience using advanced casting technology. As a result, many of the artist’s works were planned to be produced in large editions, however, given the complexity of the forms, full editions were often not completed.
Impressed signature and number to tail ‘Berrocal 276/2000’. This work is number 276 from the edition of 2000. This articulated sculpture represents a dove posed on a Corinthian capital; the dove’s body is a water jug and the capital is the glass. When the dove's wings are lifted and turned, landing gear drops down from the underside. Sold with original book containing instructions for assembly.
literature: Antologica Berrocal (1955-1984), Gallego, Opus 143, pg. 348-353, 453